DECOLONIZING YOUR NEWSFEED

 

A scene from the documentary, nîpawistamâsowin: We Will Stand Up, screening in Vision Maker Media’s First Indigenous Online Film Festival. (Courtesy: VMM)

 

(IN)VISIBILITY | 9.4.20

 

Hi out there. As I mentioned, I’m on the road this week and enlisted one of Indian Country’s most promising emerging journalists and documentary filmmakers to help me produce this latest newsletter. Tsanavi Spoonhunter (Northern Paiute, Lakota, Northern Arapaho) just from the Graduate School of Journalism of UC Berkeley. Read more about her in my Q+A in this week’s Crisis in Covering Indian Country segment. The rest is entirely from Tsanavi’s offerings for you ahead of this long holiday weekend. Have a restful one and I’ll see you all next week. - Jenni

 

I’m an emerging documentary filmmaker with a focus on Indigenous film and this year, because of the coronavirus, these stories about our people and cultures have been made more accessible than ever before. Consider it a silver lining of these times.  

As film festivals everywhere are going virtual, Indian Country’s signature event hosted by Vision Maker Media is streaming online for the first time. It means for five weeks, a genre that often competes to be seen and heard is now incredibly visible and accessible. There is one film in particular on the top of my list that I endorse later in this newsletter. There are dozens of more films that can be viewed on-demand - what I love about this festival.

Recent data tells us that less than half a percent of on-camera representations feature an Indigenous person. Not this month. It’s why I’ve dedicated this space this week to honoring our visibility in all spaces where Native peoples should be seen more, and that includes in journalism.

In the spirit of media representations, Indigenously is seizing this momentum to introduce ourselves on social media. At the bottom of this newsletter, we have added links to our Twitter, Facebook, and Instagram pages. Please take a minute over the long holiday weekend to visit, follow us, and share with your networks.  Thanks! - Tsanavi

 

THE INDIGENOUS INTERNET

 

“He was one of our kings, too.” - @native4data

 

INDIGENOUSLY INDEX

 

Total hours to compile the Indigenously Index: Greater than Tsanavi’s pay grade

The Indigenously Index resumes next week

 

THE CRISIS

 

As a 2020 graduate faced with a mountain of industry challenges, another hurdle for someone like me is reconciling with the fact that so few spaces exist to tell the kind of Indigenous stories that drew me to the profession. Here’s an excerpt of a recent conversation I shared with Jenni about these issues and more. 

Jenni: Tsanavi, congratulations on making it through grad school. It’s brave of you to pursue a career in journalism in these times. Why journalism? 

Tsanavi: In public school, you're not educated on a lot of Native history and so going to Haskell University, it really opened my eyes. I was just stunned at learning the things that I never even knew, growing up -  and so it really shocked me.

I also took a reporting class at Haskell and we learned about covering our tribal nations, and more generally how we don't have a voice or a platform as much as the rest of people in the press and so that's why I wanted to be a journalist.  I was able to tell stories that affect my community but also enlighten my community and educate them on what's happening and what has happened. 

J: Yes. As Indigenous journalists, I think we’re realizing we’re also absentee educators, too.  What other challenges are most top of mind for you as you start your career? 

T: There’s always been this huge financial concern, and a lot of people are questioning where they're getting their news and who's funding it. And for myself, coming into the industry, it's hard because being a Native person and wanting to pursue Native issues, it's not seen as objective, right? There's like this question of whether or not I can be objective.

But then, on the flip side of that, if you get a Non-Native reporter covering these issues, it's seen more like less advocacy, right?  That's frustrating to me because Native people already have this inherent knowledge. 

J: These editorial dilemmas I understand became a central issue during your last year at Berkeley.  What happened? 

T: I'm pretty sure this was one of the most diverse classes that Berkeley has had, recently, and so you had a lot of people from different backgrounds, a lot of people with strong opinions. I think there were a lot of students who felt jaded going into a program and not having any supervisors that really understood them, whether that be the challenges of telling their own stories, or by being really seen by staff and faculty that didn’t represent them.  

It was pretty positive in the sense that people were able to vocalize all of these concerns and so being able to hold people accountable, and being able to question the industry editorially - that was empowering for me. 

 

ENDORSEMENT

 

Free Film Screening:

nîpawistamâsowin: We Will Stand Up, is a documentary by Cree filmmaker Tasha Hubbard. It tells the tragic story of Colton Boushie and the hard to accept acquittal of the white man who shot him. Screen Sept. 14, 11 am CT.

 

FEEDBACK

 

“‘A Tale of Two Shootings’ was worth the wait.”

John, Washington, DC

 

QUOTE

 

"If it's not by us then it lacks a certain ability to really represent us." - Darren Edward Lone Fight (MHA Nation), a faculty member of the American studies department at Dickinson College in Carlisle, PA in an interview with WGBH about Native American Representation In American Culture.

 

Indigenously is a newsletter produced by Jenni Monet (Laguna Pueblo)

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